ARW to JP2 Converter
Convert ARW to JP2 in your browser. The full-size JPEG Sony stores in the file is what gets converted, so the sensor coding never reaches the output. No raw development happens here. You get a lossless JPEG 2000 (.jp2) using the reversible 5/3 wavelet. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use ARW to JP2
- 1
Add your ARW files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the JP2 is written losslessly. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .jp2 files one at a time or together as a ZIP.
Why use Aback Images for arw to jp2
Where the JP2 goes next
JP2 opens in macOS Preview, GIMP, IrfanView, XnView, ImageMagick and the OpenJPEG tools.
JP2 next to ARW
The JP2 holds the camera preview's pixels with lossless compression: usually smaller than a 25 to 80 MB raw file, though far larger than a JPEG of the same photo.
No new artefacts
The preview inside the ARW is a camera JPEG; the JP2 stores its decoded pixels losslessly, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
ARW vs JP2
What changes from ARW to JP2
Encoding: the ARW uses Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1); JP2 uses wavelet coding: reversible 5/3 for lossless files, irreversible 9/7 for lossy ones, and the download is a lossless JPEG 2000 (.jp2) using the reversible 5/3 wavelet.
Bit depth: 12 or 14 bits per channel in the ARW; JP2 allows up to 16 bits per channel is common, more is possible, and the JP2 written here has 8 bits per channel. The sensor's 12 or 14 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from a Bayer mosaic in the ARW; JP2 supports sRGB, greyscale, YCC or a space described by an ICC profile, written here as 8-bit sRGB.
Metadata: the ARW can carry EXIF, Sony maker notes, a thumbnail and a full-size JPEG; JP2 can carry XML, ICC and resolution boxes, but nothing is copied across.
About ARW
ARW is the raw format of Sony Alpha, RX and Cyber-shot cameras. It stores the sensor data (compressed, uncompressed or lossless compressed, depending on the model) with a full-size JPEG preview.
ARW is TIFF-based: the first directory carries EXIF and Sony's JPEG preview and the sensor data sits in a sub-directory. In Sony's classic compressed raw each block of 16 same-colour pixels keeps an 11-bit maximum and minimum plus 7-bit steps for the rest, which can leave artefacts beside high-contrast edges.
ARW files usually come from Sony Alpha mirrorless and SLT cameras, RX compacts and some Cyber-shot models.
About JP2
JPEG 2000 is a wavelet-based format that can be truly lossless or lossy, handles very high bit depths and huge images, and is used where long-term fidelity matters: archives, medicine, satellites and digital cinema.
A .jp2 file is a box structure: a 12-byte signature box, an 'ftyp' box, a 'jp2h' header box with the size and colour specification, then the 'jp2c' box holding the codestream, which begins with FF 4F FF 51.
When converting ARW to JP2 makes sense
JP2 is the better choice for archival masters and specialist imaging, while ARW suits editing Sony photos in a raw developer.
JP2 strengths: True lossless mode; High bit depths and very large images; Standardised for archives and digital cinema. Drawbacks to weigh: Browsers do not display it; Slow to encode and decode; Patchy support in everyday apps.
Limitations
- Creative Look or Picture Profile settings are baked into that preview; a raw editor can start again from neutral.
- Lossless JPEG 2000 is larger than a lossy one, but usually smaller than an uncompressed TIFF of the same pixels.
- No current browser displays JP2 by default; archive and imaging software opens it.
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Frequently asked questions
Does converting ARW to JP2 lose quality?
JP2 is written losslessly, so the pixels are stored exactly as decoded. Those pixels come from the camera's JPEG preview, so its compression stays, but nothing new is lost. The sensor's 12 or 14 bits are not used: the 8-bit camera preview is converted.
Is the JPEG 2000 file lossless?
Yes. It is written with JPEG 2000's reversible 5/3 wavelet, so decoding it gives back exactly the pixels that went in. The trade-off is size: a lossless JP2 is larger than a lossy one, though usually smaller than an uncompressed TIFF.
Which apps open JP2 files?
MacOS Preview, GIMP, IrfanView, XnView, ImageMagick and the OpenJPEG tools. It does not open in web browsers by default.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.