AVIF to RAF Converter
Convert AVIF to RAF in your browser. You download a Linear DNG (.dng), not a .raf: only a Fujifilm camera can create a genuine RAF, and every editor that opens RAF also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
AVIF expected · other image formats also work
How to use AVIF to RAF
- 1
Add your AVIF files: drop them here, choose them, or paste from the clipboard.
- 2
Pick the colour that replaces transparent areas, since DNG has none.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for avif to raf
Where a RAF would go
RAF files are opened by Fujifilm X RAW Studio, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to AVIF
The DNG is written uncompressed, so expect it to be several times larger than the AVIF, which stores lossy or lossless AV1 intra-frame coding.
No new artefacts
AVIF is already lossy, since it stores lossy or lossless AV1 intra-frame coding; the DNG keeps the decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
AVIF vs RAF
What changes from AVIF to RAF
Encoding: the AVIF uses lossy or lossless AV1 intra-frame coding; RAF uses uncompressed or lossless compressed sensor data in Fujifilm's own container, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 8, 10 or 12 bits per channel in the AVIF; RAF allows 12 to 16 bits per channel depending on the camera, and the DNG written here has 8 bits per channel, linearised. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
Colour: YUV 4:4:4 or 4:2:0 with BT.709, Display P3 or BT.2020 primaries, HDR curves possible in the AVIF; RAF supports camera RGB from an X-Trans 6×6 or Bayer 2×2 mosaic, written here as 8-bit sRGB.
Transparency: the AVIF stores it as an auxiliary AV1 image stored beside the colour image; the DNG has none, so transparent areas are filled with the colour you choose.
Animation: an AV1 image sequence under the 'avis' brand; the DNG holds one image, so only the first frame is converted.
Metadata: the AVIF can carry EXIF, XMP and ICC stored as HEIF items; RAF can carry EXIF and Fujifilm maker notes, including the Film Simulation, but nothing is copied across.
About AVIF
AVIF uses the AV1 video codec for still images. It is the most efficient widely supported format, often half the size of JPEG, with HDR, wide colour and transparency, but encoding is slow.
An AVIF is a HEIF file, the same ISO base media boxes as MP4, with the brand 'avif'. The picture is an AV1 key frame stored as an image item, and its size, colour and pixel layout are item properties.
AVIF files usually come from image CDNs, modern web build pipelines and some recent phones.
About RAF
RAF is the raw format of Fujifilm cameras, from the X series to the medium-format GFX. Most X-series bodies use an X-Trans sensor with a 6×6 colour filter pattern instead of the usual Bayer 2×2.
RAF is not TIFF at the top level: it opens with the text 'FUJIFILMCCD-RAW', then a header with the camera model and offsets to three blocks: a JPEG preview near the start of the file, a header describing the sensor layout, and the sensor data.
RAF files come from Fujifilm X-T, X-H, X-S, X-E, X100 and GFX cameras.
When converting AVIF to RAF makes sense
Forms and workflows that ask for RAF usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the RAF's place. Keep the AVIF if you only need to view or share the picture.
What RAF offers when it comes straight from the camera: Film Simulation baked into the embedded JPEG; Lossless compressed option on recent bodies; Large medium-format files from GFX cameras. Its drawbacks: Fujifilm's own container rather than TIFF; X-Trans demosaicing differs between raw editors; Film Simulations need camera-matching profiles in third-party editors.
Limitations
- Almost any other format needs more bytes than AVIF for the same picture, so expect the file to grow.
- HDR and wide-gamut AVIFs are mapped to standard sRGB on decode, so very bright highlights can look flatter than on an HDR screen.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the AVIF.
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Frequently asked questions
Why do I get a .dng file instead of a .raf?
A real RAF is written by Fujifilm cameras and holds the sensor's own readings (12 to 16 bits per channel depending on the camera, stored as uncompressed or lossless compressed sensor data in Fujifilm's own container) along with EXIF and Fujifilm maker notes, including the Film Simulation. An AVIF holds no sensor data, so no software outside the camera can create a genuine RAF. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens RAF files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Does converting AVIF to RAF lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. Artefacts already in the AVIF stay, but nothing new is lost. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
What happens to transparency when converting AVIF to RAF?
AVIF stores transparency as an auxiliary AV1 image stored beside the colour image. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.
Will my animated AVIF stay animated?
No. DNG holds a single image, so only the first frame is kept. Convert to animated WebP, APNG or GIF to keep the motion, or export every frame with the GIF Frame Extractor.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.