CR2 to RAF Converter
Convert CR2 to RAF in your browser. You download a Linear DNG (.dng), not a .raf: only a Fujifilm camera can create a genuine RAF, and every editor that opens RAF also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use CR2 to RAF
- 1
Add your CR2 files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the DNG is written uncompressed. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for cr2 to raf
Where a RAF would go
RAF files are opened by Fujifilm X RAW Studio, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to CR2
The DNG stores the camera preview's pixels uncompressed, so it can be as large as the 20 to 50 MB raw file, or larger, depending on the preview's resolution.
No new artefacts
The preview inside the CR2 is a camera JPEG; the DNG stores its decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
CR2 vs RAF
What changes from CR2 to RAF
Encoding: the CR2 uses lossless JPEG-compressed sensor data, cut into vertical slices; RAF uses uncompressed or lossless compressed sensor data in Fujifilm's own container, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 12 or 14 bits per channel in the CR2; RAF allows 12 to 16 bits per channel depending on the camera, and the DNG written here has 8 bits per channel, linearised. The sensor's 14 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from a Bayer mosaic, with the Picture Style recorded in the maker notes in the CR2; RAF supports camera RGB from an X-Trans 6×6 or Bayer 2×2 mosaic, written here as 8-bit sRGB.
Metadata: the CR2 can carry EXIF, Canon maker notes (Picture Style, lens, focus points) and the embedded previews; RAF can carry EXIF and Fujifilm maker notes, including the Film Simulation, but nothing is copied across.
About CR2
CR2 is the raw format of Canon EOS cameras from 2004 until CR3 replaced it in 2018. It holds the sensor's 12 or 14-bit readings, losslessly compressed, plus a large JPEG preview rendered with the camera's Picture Style.
CR2 is TIFF-based: the TIFF header is followed by the letters 'CR' and version 2.0, then four image directories: a large JPEG preview with the EXIF block, a 160×120 thumbnail, a small uncompressed RGB image, and the sensor data as lossless JPEG cut into vertical slices.
CR2 files usually come from Canon EOS DSLRs made from 2004 to 2018, such as the 5D Mark II and III, 6D, 7D and the Rebel series.
About RAF
RAF is the raw format of Fujifilm cameras, from the X series to the medium-format GFX. Most X-series bodies use an X-Trans sensor with a 6×6 colour filter pattern instead of the usual Bayer 2×2.
RAF is not TIFF at the top level: it opens with the text 'FUJIFILMCCD-RAW', then a header with the camera model and offsets to three blocks: a JPEG preview near the start of the file, a header describing the sensor layout, and the sensor data.
RAF files come from Fujifilm X-T, X-H, X-S, X-E, X100 and GFX cameras.
When converting CR2 to RAF makes sense
Forms and workflows that ask for RAF usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the RAF's place. Keep the CR2 if you only need to view or share the picture.
What RAF offers when it comes straight from the camera: Film Simulation baked into the embedded JPEG; Lossless compressed option on recent bodies; Large medium-format files from GFX cameras. Its drawbacks: Fujifilm's own container rather than TIFF; X-Trans demosaicing differs between raw editors; Film Simulations need camera-matching profiles in third-party editors.
Limitations
- The large JPEG preview in the first directory is what gets converted; it carries the Picture Style that was active when you shot.
- The 14-bit sensor data, with its highlight and shadow latitude, is not developed here; use a raw editor when you need to recover detail.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the CR2.
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Frequently asked questions
Why do I get a .dng file instead of a .raf?
A real RAF is written by Fujifilm cameras and holds the sensor's own readings (12 to 16 bits per channel depending on the camera, stored as uncompressed or lossless compressed sensor data in Fujifilm's own container) along with EXIF and Fujifilm maker notes, including the Film Simulation. This converter reads the JPEG preview inside the CR2, not its sensor data, so it cannot make one either. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens RAF files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.