PSD to ARW Converter
Convert PSD to ARW in your browser. You download a Linear DNG (.dng), not a .arw: only a Sony camera can create a genuine ARW, and every editor that opens ARW also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
PSD expected · other image formats also work
How to use PSD to ARW
- 1
Add your PSD files: drop them here, choose them, or paste from the clipboard.
- 2
Pick the colour that replaces transparent areas, since DNG has none.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for psd to arw
Where a ARW would go
ARW files are opened by Sony Imaging Edge, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to PSD
The DNG is written uncompressed, so expect it to be several times larger than the PSD, which stores raw or RLE (PackBits) channel data, ZIP in some 16 and 32-bit files.
Written without a lossy pass
The DNG is written uncompressed, so the pixels decoded from the PSD arrive unchanged, apart from precision beyond 8 bits per channel.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
PSD vs ARW
What changes from PSD to ARW
Encoding: the PSD uses raw or RLE (PackBits) channel data, ZIP in some 16 and 32-bit files; ARW uses Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1), and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 8, 16 or 32 bits per channel in the PSD; ARW allows 12 or 14 bits per channel, and the DNG written here has 8 bits per channel, linearised. 16 and 32-bit documents are reduced to 8 bits per channel.
Colour: RGB, CMYK, Lab, greyscale, indexed or multichannel in the PSD; ARW supports camera RGB from a Bayer mosaic, written here as 8-bit sRGB.
Transparency: the PSD stores it as transparent layers plus extra alpha channels; the DNG has none, so transparent areas are filled with the colour you choose.
Other images: the PSD can hold layers, masks, adjustment layers and smart objects; only the main image is converted.
Metadata: the PSD can carry XMP, EXIF, IPTC and ICC in image resource blocks; ARW can carry EXIF, Sony maker notes, a thumbnail and a full-size JPEG, but nothing is copied across.
About PSD
PSD is Adobe Photoshop's layered working format. It keeps layers, masks and effects, but almost nothing outside Photoshop can display it, so finished designs are exported to PNG or JPG.
A PSD has five sections: a header ('8BPS', channel count, size, depth, colour mode), colour mode data, image resources (thumbnail, ICC, XMP, resolution), layer and mask information, and finally the merged composite image that the Maximize Compatibility option saves.
PSD files usually come from Photoshop and apps that save Photoshop documents, such as Affinity Photo, GIMP, Photopea and Krita.
About ARW
ARW is the raw format of Sony Alpha, RX and Cyber-shot cameras. It stores the sensor data (compressed, uncompressed or lossless compressed, depending on the model) with a full-size JPEG preview.
ARW is TIFF-based: the first directory carries EXIF and Sony's JPEG preview and the sensor data sits in a sub-directory. In Sony's classic compressed raw each block of 16 same-colour pixels keeps an 11-bit maximum and minimum plus 7-bit steps for the rest, which can leave artefacts beside high-contrast edges.
ARW files come from Sony Alpha mirrorless and SLT cameras, RX compacts and some Cyber-shot models.
When converting PSD to ARW makes sense
Forms and workflows that ask for ARW usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the ARW's place. Keep the PSD if you only need to view or share the picture.
What ARW offers when it comes straight from the camera: A full-size JPEG preview from the camera; Lossless compressed raw on recent bodies; Wide support across Sony's long Alpha line. Its drawbacks: Sony's classic compressed mode is lossy; Uncompressed files of 60 MB and more on high-resolution bodies; Creative Looks are ignored by most third-party raw editors.
Limitations
- The merged composite is converted, so hidden layers stay hidden and visible ones are flattened together.
- Files saved with Maximize Compatibility turned off may hold no full-size composite; then only the small embedded thumbnail is available.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the PSD.
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Frequently asked questions
Why do I get a .dng file instead of a .arw?
A real ARW is written by Sony cameras and holds the sensor's own readings (12 or 14 bits per channel, stored as Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1)) along with EXIF, Sony maker notes, a thumbnail and a full-size JPEG. A PSD holds no sensor data, so no software outside the camera can create a genuine ARW. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens ARW files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Does converting PSD to ARW lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. 16 and 32-bit documents are reduced to 8 bits per channel. Not carried over: any layers.
What happens to transparency when converting PSD to ARW?
PSD stores transparency as transparent layers plus extra alpha channels. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.
Are PSD layers kept?
No. The flattened composite that Photoshop saves inside the file is converted, so the result looks like the PSD with all visible layers merged. Files saved without Maximize Compatibility fall back to the embedded thumbnail.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.