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WebP to CR2 Converter

Convert WebP to CR2 in your browser. You download a Linear DNG (.dng), not a .cr2: only a Canon camera can create a genuine CR2, and every editor that opens CR2 also opens DNG. Nothing is uploaded.

  • Processed locally
  • No upload, no wait
  • No sign-up
  • No watermark

Drop images here

or choose files · paste with Ctrl/⌘ V

WebP expected · other image formats also work

Files are processed on this device. Nothing is uploaded.0 B uploaded

How to use WebP to CR2

  1. 1

    Add your WebP files: drop them here, choose them, or paste from the clipboard.

  2. 2

    Pick the colour that replaces transparent areas, since DNG has none.

  3. 3

    Click Convert. Each file is decoded and encoded in a background thread on this device.

  4. 4

    Download the .dng files one at a time or together as a ZIP.

Why use Aback Images for webp to cr2

Where a CR2 would go

CR2 files are opened by Canon Digital Photo Professional, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.

DNG next to WebP

The DNG is written uncompressed, so expect it to be several times larger than the WebP, which stores lossy VP8 coding or lossless VP8L.

No new artefacts

WebP is already lossy, since it stores lossy VP8 coding or lossless VP8L; the DNG keeps the decoded pixels uncompressed, so this step adds no compression damage of its own.

Processed on your device

Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.

WebP vs CR2

What changes from WebP to CR2

Encoding: the WebP uses lossy VP8 coding or lossless VP8L; CR2 uses lossless JPEG-compressed sensor data, cut into vertical slices, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.

Bit depth: 8 bits per channel in the WebP; CR2 allows 12 or 14 bits per channel, and the DNG written here has 8 bits per channel, linearised.

Colour: RGB; lossy WebP stores colour at half resolution (4:2:0) in the WebP; CR2 supports camera RGB from a Bayer mosaic, with the Picture Style recorded in the maker notes, written here as 8-bit sRGB.

Transparency: the WebP stores it as a separate alpha plane, available in lossy as well as lossless files; the DNG has none, so transparent areas are filled with the colour you choose.

Animation: ANMF frame chunks, each with its own delay and blending; the DNG holds one image, so only the first frame is converted.

Metadata: the WebP can carry EXIF, XMP and ICC chunks; CR2 can carry EXIF, Canon maker notes (Picture Style, lens, focus points) and the embedded previews, but nothing is copied across.

About WebP

WebP is Google's web image format. It supports lossy and lossless compression, transparency and animation, and is typically 25 to 35 percent smaller than JPEG at the same visual quality.

A WebP is a RIFF file: 'RIFF', a length, 'WEBP', then chunks. A simple lossy file is one VP8 chunk and a lossless one is VP8L; the extended VP8X header announces alpha, animation, ICC, EXIF or XMP chunks.

WebP files usually come from websites, Chrome's Save image as, CDNs and Android apps.

About CR2

CR2 is the raw format of Canon EOS cameras from 2004 until CR3 replaced it in 2018. It holds the sensor's 12 or 14-bit readings, losslessly compressed, plus a large JPEG preview rendered with the camera's Picture Style.

CR2 is TIFF-based: the TIFF header is followed by the letters 'CR' and version 2.0, then four image directories: a large JPEG preview with the EXIF block, a 160×120 thumbnail, a small uncompressed RGB image, and the sensor data as lossless JPEG cut into vertical slices.

CR2 files come from Canon EOS DSLRs made from 2004 to 2018, such as the 5D Mark II and III, 6D, 7D and the Rebel series.

When converting WebP to CR2 makes sense

Forms and workflows that ask for CR2 usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the CR2's place. Keep the WebP if you only need to view or share the picture.

What CR2 offers when it comes straight from the camera: Large embedded JPEG rendered with the camera's Picture Style; Lossless 12 or 14-bit sensor data; Widely supported after fourteen years of Canon DSLRs. Its drawbacks: Replaced by CR3 in 2018, so current Canon bodies no longer write it; 20 to 50 MB per photo; Sliced lossless JPEG data that only raw decoders can read.

Limitations

  • WebP images saved from websites are often already resized and compressed for the page, so the result cannot be sharper than that copy.
  • The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the WebP.

Frequently asked questions

Why do I get a .dng file instead of a .cr2?

A real CR2 is written by Canon cameras and holds the sensor's own readings (12 or 14 bits per channel, stored as lossless JPEG-compressed sensor data, cut into vertical slices) along with EXIF, Canon maker notes (Picture Style, lens, focus points) and the embedded previews. A WebP holds no sensor data, so no software outside the camera can create a genuine CR2. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens CR2 files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.

Does converting WebP to CR2 lose quality?

DNG is written uncompressed, so the pixels are stored exactly as decoded. Artefacts already in the WebP stay, but nothing new is lost.

What happens to transparency when converting WebP to CR2?

WebP stores transparency as a separate alpha plane, available in lossy as well as lossless files. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.

Will my animated WebP stay animated?

No. DNG holds a single image, so only the first frame is kept. Convert to animated WebP, APNG or GIF to keep the motion, or export every frame with the GIF Frame Extractor.

Are my images uploaded anywhere?

No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.

Can I process many files at once?

Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.

Is it free? Is there a file limit or watermark?

It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.